This course is open to all instrumentalists and singers who have at least some basic fluency with their instrument, or for singers, their voice. This means that they can at least: a) play/sing a few tunes/pieces from memory, b) play by reading simple music for their instrument (but singers do not have to be able to ‘sight-sing’), and c) play/sing at least one type of scale in at least a few keys. Drummers must at least be able to play the swing jazz cymbal beat with sticks in 4/4 and 3/4 at various moderate tempos (speeds).
The course’s overarching topics of practical skills and theoretical knowledge include how to recognise and utilise jazz’s common four-note chord symbols and western music’s common tonal and atonal scales, how to play well-known mainstream jazz tunes and improvise within their harmonic structure with confidence, and for rhythm section instrumentalists (drum kit, bass, guitar and piano), how to ‘comp’, i.e. accompany others within the principal jazz genre time signatures (4/4 and 3/4) and grooves (swing and Latin), and for singers, how to clearly articulate lyrics, and for those singers who wish to improvise with confidence similar to their instrumentalist colleagues, the skills to do so.
Other practical topics and exercises address how to memorise common jazz tunes (including the harmonic structure) for confident ‘by ear’ improvising/soloing, developing fluency with the common structures of western music (i.e. their employment in practising and application to improvising), improving rhythmic and aural awareness (‘ear training’); and for drummers: playing improvised ‘fills’ and longer solos that relate to a tune. Other topics include general musicianship, technical vocabulary and concepts related to universal elements of music and its common notation, and developing familiarity with jazz’s historical eras, ‘styles’ and sub-genres. Learners will perform individually and with others in every lesson, including (optionally) in an end of term concert.